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Tablature notations that developed in the sixteenth century in the field of secular European instrumental music had an impact also on the dissemination of purely vocal and vocal-instrumental church music. In this function, the so-called new German organ tablature notation (also known as Ammerbach’s notation) became the most prominent, enabling organists to produce intabulations from the vocal and vocal-instrumental parts of sacred compositions. On the choir of the Lutheran church in Levoča, as parts of the Leutschau/Lőcse/Levoča Music Collection, six tablature books written in Ammerbach’s notation have been preserved. They are associated with Johann Plotz, Ján Šimbracký, and Samuel Marckfelner, local organists active in Zips during the seventeenth century. The tablature books contain a repertoire which shows that the scribes had a good knowledge of contemporaneous Protestant church music performed in Central Europe, as well as works by Renaissance masters active in Catholic environment during the second half of the sixteenth century. The books contain intabulations of the works by local seventeenth-century musicians, as well as several pieces by Jacob Regnart, Matthäus von Löwenstern, Fabianus Ripanus, etc. The tablatures are often the only usable source for the reconstruction of sixteenth- and seventeenth-century polyphonic compositions transmitted incompletely.
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used in this study to examine the single publication h index of manuscripts. In a comprehensive research project we investigated the peer review process of the Angewandte Chemie International Edition (AC-IE). Based on our AC-IE database we examined
lectures in this field and getting brilliant feedback by the participants, we decided to publish a paper discussing this topic in detail. The peer-review process: importance and reasons As the quality and validity of scientific manuscripts are some of the
Genre 1996 Dutt, N. — Bhattacharya, D. M. — Sharma, V. S. (eds) (1939): Gilgit Manuscripts . Srinagar (Kashmir), Vol. 1, pp. 43–46, 61
Admonishments of Bao Shuya and Xi Peng
Translation with commentaries and remarks
notes on the “Jing jian nei zhi” from Shanghai Museum’s Chu bamboo manuscripts Vol. 5] . Online publication at http://www.bsm.org.cn/show_article.php?id=198, accessed on Feb. 10, 2015
’s Crimea and Printed in 1840/1841 at Gözleve, on the Copyist of the Manuscript, and Some Related Issues . Karaite Archives No. 1 , pp. 133 – 198 . Sulimowicz , Józef ( 1972 ): Materiał leksykalny
is the lynchpin about which the whole business of Science is pivoted” (Ziman 1968 , p. 148). Peers asked to evaluate manuscripts take on the responsibility for assuring high standards in various research disciplines. “Equals active in the same field
Manuscripts and Block Prints. Stuttgart, Franz Steiner Verlag (Verzeichnis der Orientalischen Handschriften in Deutschland, XIII,26). Shōgaito, M. 庄垣内正弘 (2003): ロシア所蔵ウイグル文献の研究 — ウイグル文字表記漢文と ウイグル語仏典テキスト Roshia shozō uiguru bunken no
張子開 ( 2000 ): Dunhuang xieben ‘Lidai fabao ji’ yanjiu shuping 敦煌寫本《歷代法 寶記》研究述評 [Studies of the Dunhuang manuscripts, Lidai fabaoji: a survey]. Zhongguoshi yanjiu dongtai 《中國史研究動態》 No. 2 , pp. 11 – 19 .
