. – Titsworth , S. – Harter , L. ( 2011 ): Human Communication, (4th ed.) . New York, NY : McGraw-Hill .
Roberts , W. R.
(trans.) ( 1954 ): Rhetoric by Aristotle . http://classics.mit.edu/Aristotle/rhetoric
A decisive paradigmatic change in the poetry of Lrinc Szab in 1927–1928 seems to be synchronous with a comparable alteration
in world literature: a shift from classical modernity to hermetism, abstract objectivism, consciousness lyric and a new subjectivism,
trends which anticipated present day styles and have survived in neoavant-gardist and poststructuralist poetics. By this move
his poetic practice transcended the phase represented by Stefan George, Rainer Maria Rilke, or Mihly Babits and paralleled
poetic events then unseen or unforeseen by Lrinc Szab. These included transmutations in the work of contemporary poets,
Gottfried Benn, T. S. Eliot, Ezra Pound or Attila Jzsef. The novelty was not thematic but modal: a new discourse, a change
from the homogeneous to the dialogical conception of the poem. In Lrinc Szab's vision of personality the voice of the actorincludes the voice of the rebellious individualof traditional poetry (with a sociological view, a pragmatical-pedagogical motivation and a psychological quest for truth)
counterpoised by the voice of the spectatorexhibiting the stable laws of the universe (passing a logical judgment). It was a radical novelty in his poetry that the distinction
and distance of the ego and the world ceased to be a precondition of aesthetic formation and were replaced by the polyphonic
utterance of a You and the World, which living in, and at the same time distanced from, the ego enter into a dialogue in their poetic quiddity. The idea of
“one justice” informing world history gave way to a demand for the “one's justice.” Lrinc Szab's sense of contradiction
between the ego and history was reinforced by his study of Der Einzige und sein Eigentum by Max Stirner. In the light of this work he reconsidered the ideas of religion, fatherland, freedom, love, justice, and
liberalism and came to confront all of the bonds of the individual personality and collective action. The poetic adaptation
of Stirner's ideas presents a peculiar case of intertextuality: it encourages the poem's train of thought, tunes its mode
of discourse, integrates textually in the course and rhetoric of creation, and occasionally informs the poems in their entirety
(as a rule those of the highest poetic rank).
? The Quality of Interpreting as a Function of Political Rhetoric in the European Parliament. Acta Universitatis Tamperensis 985 (diss.) Tampere: University of Tampere.
A Voice of its Citizens or a Modern Tower
interpersonal rhetorics]. In: Általános Nyelvészeti Tanulmányok 20: 195-219.
A túlzás szerepe a személyközi retorikában [The role of hyperbole in interpersonal rhetorics]
Általános Nyelvészeti Tanulmányok