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The renaissance of Palestrina's music, which in the 19th century was of particular interest to musicians music-lovers in Italy and abroad, was largely influenced by the performance practice given to it by the Cappella Sistina, the despositary of this heritage.

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Among the ideas and images both preterhuman and preterhuman which fascinated Romantic writers, visual artists, and musicians, arguably none was more ubiquitous than „The Night.” The strikingly pervasive nature of the idea was due, to a considerable extent, to its insubstantiality.

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Franz Liszt, New Edition of the Complete Works Supplements to Works for Piano Solo, vol. 5

Edited by Adrienne Kaczmarczyk and Imre Mező (Budapest: Editio Musica, 2007, 185 p.)

Studia Musicologica
Author: Kenneth Hamilton
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) von Mihalovich (1842–1929), studierte Musik in Pest, dann Komposition in Leipzig bei Moritz Hauptmann und Salamon Jadassohn und 1866 schließlich bei Peter Cornelius. Er kehrte nach Budapest zurück, wo er von Liszt in das ungarische Musikleben

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