): Constraining the other in Kvapil and Dvorak's Rusalka. In G. E. Slusser and J. Olivella (eds): TheFantastic Other: Interface of Perspectives. Amsterdam: Editions Rodopi, 121-142.
TheFantastic Other: Interface of
Authors:Maria Di Blasi, Alessandro Giardina, Cecilia Giordano, Gianluca Lo Coco, Crispino Tosto, Joel Billieux, and Adriano Schimmenti
; Kuo et al., 2016 ). For example, Kuo et al. ( 2016 ) pointed out that while passive escapism provides relief from stressful emotions by simply refocusing attention on thefantastic narratives provided by the medium, active escapism may allow the gamer