The aim of this paper is to show how communal apartments were perceived by many authors of Russian songs. The analysis of these texts proves that communal apartments clearly characterize Soviet everyday life. Communal apartments can be called a Soviet microcosm, a non-idealized portrayal of Soviet society in miniature that represents the invasion of individual life. Communal apartments were Stalin’s institute of social control. The forms of communal life left significant imprints on the mentality of Soviet people, causing their moral deformation. The analyzed songs express memories of Soviet citizens. Communal apartments are shown: 1) as a manifestation of negative features of collective mentality; 2) as a model of common life with justice, peace, and social equality; 3) as a place of forced communication with neighbours. The songs of communal apartments became part of collective memory, and they affect the representation of listeners, forming their image of Soviet everyday life.