In 1913 László Éber wrote a paper about the rood screen of the baroque cathedral of Vác. He was the first who revealed that sixteen pieces from the renaissance-style carved stone elements of the rood screen were made in the late medieval period. the stone material of the pieces is marl of the Buda region. there were other stone carvings masoned in the cathedral: four dividing pillars of this balustrade, other two with Jagellonian signs from red marble and two tables with the coat of arms of Miklós Báthori (bishop of Vác, 1474–1506). The balustrade elements can be seen in the baroque cathedral thought to be in strong connections with some dividing pillars from Buda castle. there were two ideas about the dating of the Vác balustrade: either they were made during the reign of King Matthias corvinus or after his death during the Jagellonian era. In 1992 árpád Mikó discovered a barrel on the backside of one pillar, which is one of the emblems of King Matthias. there is another important question: what was the original finding place of the pillars? Éber wrote, that it is plausible that Miklós Báthori was the order of the balustrade and it was stood in the medieval cathedral of Vác, which was destroyed during the Ottoman era. is it possible that they came from the site, which now laid under and around the baroque Franciscan church and monastery in Vác? I examined the written sources from the 18–19th centuries and it turned out, that there is no information about it.
On the other hand, there are several other renaissance fragments from Vác, most of them were also made of marl of the Buda region. the fragments kept by the local museum came into light by archaeological excavations between 1912 and 2019, on the site where the medieval episcopate laid. From the first time, researchers (based on Éber) wrote that the findings stand close to the ones in the cathedral’s rood screen. Most of them are well known – we could say – because tibor Koppány published every known piece in 1994. He wrote about a few other balustrade fragments too, but his descriptions are very short, and we can see drawings of only ca. one-third of all pieces. so i decided to see the original fragments and found that those small pieces kept by the museum don’t come from that balustrade can be seen today in the cathedral.
The most important difference is the shaping of the baluster’s foot rings. they are divided: there is a vertical section and after that, the ring widens into a curved form. Furthermore, the image field of the dividing pillars framed in a more complex mode. On the image fields probably tapes, garlands, trophies were carved, but there is not any intact one, only very small pieces, which came to light in every corner of the site. so the balustrade’s original place couldn’t be determined certainly. nevertheless, because of the fine surfaces of the carvings, i think the balustrade stood inside, maybe in the medieval cathedral, perhaps in the chapel of saint nicolaus where Miklós Báthori was buried.
Among the early renaissance-style pieces known from the medieval Hungarian Kingdom, there are a few analogies. First of all, we can see the very same solution on the foot rings of the Jagellonian era dividing pillars from Hungarian red marble in Vác. they belong to a group of red marble carvings: the other elements of this group can be found in Buda and esztergom. Furthermore, from the marl of the Buda region stone material i know only one other example where the baluster foot rings are similar: the gallery of the castle chapel in siklós. so i think we can say certainly that the „new” balustrade fragments from Vác were made during the Jagellonian era.