This paper explores how Ingoma, a dance of the Ngoni of Malawi can be described as an identity marker and a cultural text of the Ngoni. The Ngoni constitute one of the nine major ethnic groups of Malawi. Unlike the other eight ethnic groups, however, the Ngonido do not have a language with which they are identified and use for everyday communication. This is largely due to socio-cultural and political influences that they experienced in the areas they settled. Notwithstanding this aspect of their identity, their dance Ingoma has stood the test of time and continues to be transmitted from one generation to another. Since language is key to the transmission of dance, the paper also examines the implications of transmitting dance in other people’s language. The paper focuses on three main groups of the Ngoni, namely, the M’mbelwaJere found in the north, the MpezeniJere found in the west and the GomaniMaseko in the centre. The Ingoma performances by groups from each of these areas were investigated.