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Eucharistic references in the representations of saints constitute a relatively unexplored segment within the iconography of the Holy Sacrament. This article analyses a number of hagiographical compositions from the Late Gothic wall paintings of Transylvania, which seem to carry eucharistic connotations, either through explicit references to the Sacrament (in the form of a monstrance, a chalice or host-shaped bread) or through subtler allusions to the sacrificial Body of Christ present in the Eucharist. The fact that most of these images are located in the sanctuaries of churches and are typically associated with other, more straightforward eucharistic imagery suggests conscious choices on the part of the inventors of the iconographic programs in adapting the subject matter of the wall paintings to the function of the given liturgical space.

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In recent years the attention of a number of observers has been drawn to an increasingly popular, entirely informal prayer practice in written form. More and more books, visitors’ books and guestbooks are appearing at our shrines for visitors to record requests, prayers and declarations of gratitude, and their pages are filled with individual prayers. They are unusual because they allow us to observe a special communication situation, the written representation of an informal, non-normalised, oral manifestation. The writing often objectifies and even ritualises this special act of prayer. The guestbooks of shrines and parish churches offer everyone access to a forum for these exceptional occasions. In this article I would like to present such guestbooks, collected at Hungarian shrines, and the conclusions drawn from their comparative analysis.

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