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Both Franz Liszt and Augusta Holmès wrote symphonic-choral works inspired by Dante; they composed them, however, in different periods. In this study we wish to associate the two composers not only for their respect and friendship that lasted several years, but because they have both offered an interpretation of Dante’s work, the Divina Commedia, that proved to be a significant source of inspiration for nineteenth-century musicians. What we find particularly important is not so much the substantial difference in their choice and interpretation of the text — that one could say was inspired by the spiritual component in the case of Liszt and by a patriotic political intent in the case of Holmès — but their common relationship with the municipality of Florence, in primis with Count Angelo de Gubernatis, organizer of a women’s exhibition in Florence in 1890. He first had relations with Liszt a few years before, later with Augusta Holmès. It was De Gubernatis who asked Holmès to compose the work Inno alla Pace in order to try to reconcile France and Italy. For this reason in Holmès’ work Beatrice became a symbol of peace among the people.
