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In this paper I shall describe several iconographic documents attesting the resounding success of a few Dionysiac themes and, more generally, the vitality of Dionysism in the Augustan Age. These materials confirm that in the years of the triumph of Augustus no dichotomy between Dionysus and Apollo was perceived. Amidst the late civil war of the Roman Republic what was fearful was Antony regardless of his identification to Dionysus. Indeed, Dionysus, as Liber, civilizing god, benefactor of Mankind and winner of every enemy and threat, represented an ideal model for young Octavianus, in the same way as Romulus, Hercules and the Dioscouri had proven. In particular, the iconographies highlight that even the particular Dionysiac cult practised by Antony, influenced as it was by Hellenistic beliefs, continued to enjoy great status during the years of the new Augustan era. Indeed, in the first years of his government Augustus might well have taken advantage of the semantic of the Hellenistic royalty, implied by the symbolism inherent within the Alexandrine Dionysus triumphant.

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