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. J ansen , Wolfgang 1990 Das Varieté. Die glanzvolle Geschichte einer unterhaltenden Kunst . Beiträge zu Theater, Film und Fernsehen aus dem Institut für Theaterwissenschaft der Freien Universität Berlin. 5

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Werk: Gottfried Semper – Dresden und Europa. Die moderne Renaissance der Künste . Akten des Intern. Kolloquiums der Technischen Universität Dresden aus Anlass des 200. Geburtstags von Gottfried Semper, hrsg. v. H. Karge, München – Berlin 2007, S. 13 f

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References 1. The Berlin Declaration . http://www.euro.who.int/__data/assets/pdf_file/0008/68183/E90833.pdf . 2

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. Paul Ortwin Rave, Berlin, 3. Teil, Bauten für Wissenschaft, Verwaltung, Heer, Berlin 1962, S. 93 ff. 6. Ebda. S. 95. 7. Karl Friedrich Schinkel

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Abstract

In this paper the reception history of the ‘Reichstag’ building especially in Hungary are discussed, from the participation of Hungarians in the first competition to the influence of the Reichstag's dome in Hngary.

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There is a great affinity between Bartók’s scholarly works and that of the members of the Berlin Phonogramm-Archiv — established in 1900 and considered as the cradle of the discipline of ethnomusicology — both in their methods and philosophical outlook. Several publications of the Berlin scholars are extant in Bartók’s library. They exerted significant influence on Bartók’s folkloristic output, from the methods of transcription and analysis, to the publication of folk material. Bartók also had personal connections with two of the members of the school. He contacted the director of the institution, Erich von Hornbostel, in 1912, wanting to take part in the galvanoplastic preservation and exchange program, introduced in Berlin a few years earlier. Only ten of Bartók’s cylinders could be processed before the war broke out, putting an end to this effort. A few years later Hornbostel took on the publishing of Bartók’s monograph, Volksmusik der Rumänen von Maramureş in the series Sammelbände der vergleichenden Musikwissenschaft . Bartók also met and corresponded with another outstanding member of the Berlin School of Ethnomusicology, Robert Lachmann, the chairman of the committee on sound recordings, in the work of which Bartók also participated in 1932 at the Congress of Arab Music in Cairo.

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R. Loddenkemper 2010 Berlin declaration on tuberculosis: high level follow-up of high priority countries for TB control in the WHO-EURO region ‘Double Trouble or Double Success? Bringing Together

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ausgestellt. 10. Gábor György Papp: A berlini magyar “aranyifjak“ ismeretlen építészeti tevei. (Unbekannte Baupläne von den ungarischen “Playboys“ in Berlin), in Magyar Műemlékvédelem. A Műemlékvédelmi Tudományos Intézet

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The growing importance of collaboration in research and the still underdeveloped state-of-the-art of research on collaboration have encouraged scientists from16 countries to establish a global interdisciplinary research network under the title “Collaboration in Science and in Technology” (COLLNET)with Berlin as its virtual centre which has been set up on January 1st, 2000.The network is to comprise the prominent scientists, who work at present mostly in the field of quantitative science studies. The intention is to work together in co-operation both on theoretical and applied aspects.

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Coming together to get publishable research results is not always a simple task. There can be geographical, cultural, disciplinary and political barriers, which have to be overcome. The Berlin Wall was such a barrier. After its fall in November 1989 Berlin scientists changed their collaboration behaviour. Research groups in East Berlin went West to look for partners and vice versa. The numbers of papers in life science journals with co-authors working in Berlin and co-authors in other places are discussed against the background of the international trend to more and more collaboration in science.

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