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) and, mainly, to Emanuel Raul (who worked in Pressburg from 1890 to 1899). Both drew inspiration from the repertoire of the Vienna theaters and invited guest soloists from the Hofoper Vienna. A look at the programs between 1886 and 1899 reveals that the

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and careers of two high-profile theater directors, Max Kmentt and Emanuel Raul. The book ends with a summary, a list of archival sources, bibliography, résumés in English and German, an index, and a rich, colorful graphic appendix. The latter contains

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