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Only two of the five polyphonic settings of St Anne’s liturgy in the 16th-century Vesperale Anna Hannsen Schuman at the Slovenský Národný Archív in Bratislava are correctly texted. This paper shows how the rhymed responsory Iesu Christe nepos cuius tu could be identified and the texts of the rhymed antiphons O beata Christi ava and Annae sanctae celebremus complemented by consulting a plainchant source from Kirnberg an der Mank in lower Austria.

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