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Ernst von Dohnányi visited Kristiania, nowadays Oslo, the first time in 1906. Receiving very good reviews, he became a frequent guest in the city playing usually for full concert halls. He came to the city numerous times as a soloist performing music of the leading European composers of the nineteenth century and Beethoven’s and Bach’s works as well. He appeared on the stages in Kristiania also as a chamber music performer. Besides, his music was played there being prized high. He was considered a permanent and very wanted guest in the city and became an artist recommended as a piano teacher to the young Norwegian students by for example Edvard Grieg. His name was also used by the Norwegian piano factory’s owners together with the names of other famous artists such as Leschetizky, Paderewski, Carreño and others in the commercials of the instruments for many years. Eventually, his music was played there not only by the artist. This article’s aim is to show all the aspects of presence and reception of Dohnányi’s art in Kristiania in the period the artist used to show up in the city’s musical life.

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Behind Musical Stages:

The Role of Concert Bureaus in the Musical Life of Kristiania in the First Decades of the 20th Century

Studia Musicologica
Author:
Dagmara Łopatowska-Romsvik

At the beginning of the twentieth century the capital city of Norway, Kristiania, 1 had quite a vivid musical life. The city had at that time two orchestras – of the Musikforeningen (Music Society) and National

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Journal of Behavioral Addictions
Authors:
Antonius J. van Rooij
,
Christopher J. Ferguson
,
Michelle Colder Carras
,
Daniel Kardefelt-Winther
,
Jing Shi
,
Espen Aarseth
,
Anthony M. Bean
,
Karin Helmersson Bergmark
,
Anne Brus
,
Mark Coulson
,
Jory Deleuze
,
Pravin Dullur
,
Elza Dunkels
,
Johan Edman
,
Malte Elson
,
Peter J. Etchells
,
Anne Fiskaali
,
Isabela Granic
,
Jeroen Jansz
,
Faltin Karlsen
,
Linda K. Kaye
,
Bonnie Kirsh
,
Andreas Lieberoth
,
Patrick Markey
,
Kathryn L. Mills
,
Rune Kristian Lundedal Nielsen
,
Amy Orben
,
Arne Poulsen
,
Nicole Prause
,
Patrick Prax
,
Thorsten Quandt
,
Adriano Schimmenti
,
Vladan Starcevic
,
Gabrielle Stutman
,
Nigel E. Turner
,
Jan van Looy
, and
Andrew K. Przybylski

We greatly appreciate the care and thought that is evident in the 10 commentaries that discuss our debate paper, the majority of which argued in favor of a formalized ICD-11 gaming disorder. We agree that there are some people whose play of video games is related to life problems. We believe that understanding this population and the nature and severity of the problems they experience should be a focus area for future research. However, moving from research construct to formal disorder requires a much stronger evidence base than we currently have. The burden of evidence and the clinical utility should be extremely high, because there is a genuine risk of abuse of diagnoses. We provide suggestions about the level of evidence that might be required: transparent and preregistered studies, a better demarcation of the subject area that includes a rationale for focusing on gaming particularly versus a more general behavioral addictions concept, the exploration of non-addiction approaches, and the unbiased exploration of clinical approaches that treat potentially underlying issues, such as depressive mood or social anxiety first. We acknowledge there could be benefits to formalizing gaming disorder, many of which were highlighted by colleagues in their commentaries, but we think they do not yet outweigh the wider societal and public health risks involved. Given the gravity of diagnostic classification and its wider societal impact, we urge our colleagues at the WHO to err on the side of caution for now and postpone the formalization.

Open access

. Drepanolejeunea physifolia (Gottsche) Pearson, Forh. Vidensk.-Selsk. Kristiania 1892 (8): 8. – ( Figs 16 – 30 ) – Basionym: Lejeunea physaefolia Gottsche, Abh. Naturwiss. Vereins Bremen 7: 357 (1882). Type: Madagascar, in silva Ambatondrazaka sterilem inter

Open access