Manuscripts with “Part 1,” “Part I,”…, “Part N ” in the title that are intended to be published as a series are called multiple-part manuscripts . Some journals require that all parts of a multiple
The signature of a nun on the first page of Cape Town, South African Library, MS Grey 3c23 made it possible not only to determine the provenance of the manuscript, but also to locate two similar manuscripts in France and two in Yugoslavia. All of these manuscripts are antiphonaries for Lauds and Vespers written for nuns at the Charterhouse of Mont-Saint-Marie, at Gosnay near Arras in France. They are the only extant Carthusian antiphonaries for Lauds and Vespers and had been written for Mont-Saint-Marie because the nuns of that Charterhouse sang only those Offices. All are dated around 1540. The antiphonaries conform to the Carthusian liturgy. There is no great divergence between the music in the five manuscripts and in the Carthusian antiphonaries. Small differences exist, however. These are not the result of error, but prove that no general exemplar existed for the music of the Carthusian antiphonary.
the register of manuscripts in the Pothikhana of Jaipur. Jaipur, Maharaja Sawai Man Singh II Museum.
Bangha, I. (2011): Writing Devotion: Dynamics of Textual Transmission in the Kavitāvalī of Tulsīdās. In: Pollock, S. (ed
2014 . ‘ The Karasubazar Codex of the Later Prophets from the Collection of the Institute of Oriental Manuscripts D 62 .’ In: Judith Olszowy-Schlanger and Nicolas De Lange (eds.) Manuscrits
1992 . Catalogue of the Buddhist Sanskrit Manuscripts in the University Library, Cambridge . [Publications of the Nepal-German Manuscript Preservation Project, 2; Verzeichnis der Orientalischen
Authors:Lutz Bornmann, Markus Wolf, and Hans-Dieter Daniel
Whereas in traditional, closed peer review (CPR) a few, selected scientists (peers) are included in the process of manuscript review, public peer review (PPR) includes, in addition to invited reviewers, a wider
The mi’raj manuscript
An illustrated manuscript depicting, in a series of miniatures, the successive stages of the mi’raj , the miraculous ascent of the Prophet Mohammed through the seven