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(Transylvanian), (Czecho) Slovakian (Upper Hungarian), Yugoslavian (Vojvodinian), Transcarpathian (Soviet Union), and Western (Western European, American, Australian) literature ( Németh, 2013 , p. 20). Historical framework (Czecho) Slovakian Hungarian literature
European and Slovak Examples of Pop-up Theaters •
Alternative Theaters Across Europe
Pop-up színházak európai és szlovák példái •
Alternatív színházak Európa-szerte
. Zákon o územnom plánovaní a stavebnom poriadku (stavebný zákon) . Bratislava, Slovak Republic 1976 .
SME , 13 . 9 . 4 . Danglová , Oľga 2006a : Slovenský vidiek. Bariéry a perspektívy rozvoja [The Slovakian Countryside . Barriers and Perspectives for Development] . Ústav etnológie SAV , Bratislava . Danglová , Oľga 2006b : Lokálny
animals including 84 wild boars, 63 bears, 62 foxes, 26 wolves, 14 roe deer, 4 deer and 2 badgers, were collected from 15 randomly selected forest areas in Eastern Slovakia. As shown in Fig. 1 , the localities included Červenica, Jablonov nad Turňou
: Examining Industry-state Relations in the Czech and Slovak Republics. Europe-Asia Studies , 52(1): 111–131. Gould J. Identity Politics and Economic Reform: Examining Industry
The gallows in Holíč (Skalica district, Slovakia) archaeological research and virtual reconstruction
Šibenica v Holíči (okres Skalica, Slovensko). Archeologický výskum a pokus o virtuálnu rekonštrukciu
Akasztófa Holicsban (Skalicai járás, Szlovákia). Régészeti kutatás és kísérlet a virtuális rekonstrukcióra
.: Szakolca) district, which was carried out in two phases in 2022 ( Fig. 1 ) . Fig. 1. Position of the site within the Carpathian Basin 1. kép. A lelőhely elhelyezkedése a Kárpát-medencében The town of Holíč is located in the Záhorie region, on the Slovak
Economics & Politics 2010 22 62 392 Fisher, S. — Gould, J. — Haughton, T. (2007): Slovakia’s
wheat leaf rust ( Puccinia triticina ) races and virulence changes in Slovakia in 1994–2004 . Biologia 63 : 1 – 4 . Hanzalová , A. , Huszár , J. , Herzová , E. , Bartoš , P
Folkloristic musical works played an essential role in the creation of a ‘Slovak idiom’ in classical music of the post-war period. From the simple arrangement of folk songs to a more autonomous art music (which may have been only partly influenced by folk traditions) there existed a broad spectrum of musical practices, including also film music and music for the professional ‘folk music ensembles’ that appeared after 1948. By referring to specific examples from this large body of music, I will show how composers worked with harmonic and poetic elements that were particular to folk music: my discussion of examples from the breadth of this music — including music for the film Zem spieva ([The land sings], music by F. Škvor), the ‘model’ compositions for the ensemble SĽUK (A. Moyzes) and, finally, the subjective folklorism of the avantgarde in the 1960s and 1970s — shows how Slovak composers worked under changing ideological influences to bring about an ‘ennobling’ of folk music.
; Kontra, 2017; Laihonen, 2012; Szabómihály, 2020; Szoták, 2016; Vörös, 2004 ). The terms “place name war” and “personal name war” in Slovakia stemmed from such limitations on the official use of place names and personal names. After the change of regime in
