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Valerius Flaccus Argonauticája 5, 142 ruricolae, Gradive, tui kifejezésének értelmezése vitatott: az apollóniosi eredeti mögött valószínűleg egy a görög költő által még ismert, a vasérc mosására vonatkozó forrás állt. Apollónios Rhodios Chalybsökről adott, általa még szó szerint értett információit Valerius Flaccus fordítása a vaskorhoz kapcsolódó római képzetek jegyében romanizálva, metaforikus értelemben adja vissza.

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Quarterly 34 , pp. 179 – 194 . Feeney , D. C. 1993 : The Gods in Epic: Poets and Critics of the Classical Tradition . Oxford Fränkel , H. (ed.) 1961 : Apollonii Rhodii Argonautica . Oxford Hershkowitz , D. 1998 : Valerius Flaccus

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The present paper examines the crucial passages in Lucanus, Valerius Flaccus, Statius and Sily concerning suicide. Lucanus presents a fanatical eulogy of suicide, Valerius Flaccus a rather calculated approach which is guided by almost philosophical considerations resembling those given by the philosopher Seneca, Statius focuses on the problem of self determination and tyranny. Sily’s account of the Saguntine suicide combines and modifies different elements of the literary tradition, which sometimes makes it difficult to ascertain the value judgement his narrative is meant to convey to his readers.

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The study examines one of the shield-descriptions of Valerius Flaccus’ Argonautica. Its main aim is to demonstrate that Valeris Flaccus altered Canthus’ story in accordance with his literary purposes. The poet depicts the shield of Canthus in the catalogue of the Argonauts mentioning that the hero had inherited this famous shield from his father, Abas, albeit according to the mythology he is not known to have any shield. The paper displays how many other Abases there were in Greek mythology and in Roman literature having a shield and it is argued that Valerius Flaccus was influenced by the coincidence of names and transformed the original story of Canthus (which can be read in Apollonius Rhodius) in order to imitate his literary models: Vergil, Ovid and the Iliad. Furthermore, the author rewrites the story of Canthus so that the Argonaut can be paralleled with Patroclus. Consequently, Canthus must be an important person of the epic which is highlighted by Valerius Flaccus in several ways and his shield has to have a literary function.

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In the Argonautica of Valerius Flaccus, due to the influence of Apollonius Rhodius, Jason, the main character of the epic, has several cloaks. The most important of these is the one Jason receives from Hypsipyle, when he leaves Lemnos. According to an ekphrasis in Book 2, two pictures woven on the cloak represent the rescuing of Thoas, father of Hypsipyle and the abduction of Ganymede. My paper analyses the function of the description of these representations in the Argonautica, besides, it examines the relationship between the two pictures described in the ekphrasis. It is argued that the purpose of Jason donating all his other cloaks (one from Cyzicus, one woven by his mother, and another one also given to him by Hypsipyle) is to emphasize the importance of the cloak he received from Hypsipyle and to remind the reader of her fidelity, in a further part of the epic.

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The article analyzes a simile of the Panegyric on the emperor Avitus by the Late Antique poet Sidonius Apollinaris (430–486 CE). The Vandals who sacked Rome in 455 become terrible wolves. Sidonius has to exaggerate the drama of the event experienced by Rome in order to exalt the salvific role played by the emperor Avitus. Sidonius echoes a lot of Vergil’s pastoral landscapes and other epic similes or phrases by Statius, Silius, Valerius Flaccus, Lucan. This simile is a good example of the poetry of Sidonius and of the literary conceptions of the Late Antique Literature.

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Valerius Flaccus 5. 584). Il peut s'agir d'un emploi humoristique, ainsi le mot rare remipes (un seul emploi antérieur, chez Varron, Men . 489. 1 12 ) est comique pour un bateau ( Mosella 201 ; Épïtres 15. 34). Certains passages multiplient les hapax

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