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stems (containing either front or back vowels) and “mixed stems” (containing both front and back vowels). The aim of this paper is to describe the basic tendencies of harmony observable inside Erzya stems. I will concentrate on the role of the consonants

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Gemeinde Wermelskirchen . Marburg : Elwert . Holsinger , David . 2008 . Germanic prosody and consonantal strength . In de Carvalho et al. (2008, 273 – 300

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illustrate this morphological property in Arabic, the root of most words has three consonants, which occur in a fixed order, whereas a pattern involves vowels and, only sometimes, a few consonants with slots for discontinuous root morphemes. A root carries a

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. A Critical Edition of Xiao Dilu and Yelü Xiangwen. Folkestone: Global Oriental . WU Yingzhe 吴英喆 and András RÓNA-TAS 2019 . ‘ Khitan Studies I. The Glyphs of the Khitan Small Script. 3 . The Consonants, 3.1 Labial Stops.’ AOH 72/1 : 47

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The paper investigates one of the most complex cases of visualizing leftist ideology from a critical, but nevertheless definitely leftist point of view within the Eastern Bloc — the case of László Lakner. Whatever way Lakner’s art can be related to several neo-avant-garde artistic strategies that ironically appropriate leftist symbols, in Lakner’s work, signs and symbols of communist ideology seem to be more than mere appropriated elements of a criticized visual and ideological system. Lakner was consistently looking for a system-critical, but leftist standpoint from the middle of the 1960s until his emigration in 1974. In this paper some examples of Lakner’s activity from this period are presented and the paper explores how he evoked documents and central figures of leftist movements, and how he used the iconography of socialist painting in a very peculiar way. The question whether some of his artistic strategies could be related to Marxist philosophy is also considered. The title of the paper refers to a conceptual drawing of the same title by Lakner that can be seen and read as an ambiguous tribute to Karl Marx.

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The present paper aims at examining the phonetic characteristics of the Latin in Narbonensis as reflected by the local inscriptions. Data will be presented from a limited corpus: from Fréjus (Forum Iulii), Antibes (Antipolis), Riez (Reii Apollinares), Digne (Dinia), Aix-en-Provence (Aquae Sextiae), Apt (Apta Iulia), Vienne (Vienna) and their territories. The inscriptions from these areas have been republished recently with the addition of some newly discovered inscriptions. Thus, this epigraphic material needs reconsideration in order to see whether the data collected from the new annotated edition corroborate or refute the existing findings of Vulgar Latin research.

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49 155 180 Byrd, Dani. 1996. Influences on articulatory timing in consonant sequences. Journal of Phonetics 24. 209

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vs. lax split is partly merged, and so it is not meaningful any more. Instead, we will classify vowels by the environments in which they occur. Some vowels may only occur before a consonant, others also word finally, and yet others in any

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different verb classes of the Catalan second conjugation. In Old Catalan, a velar consonant 1 appeared in the tenses coming from Latin perfectum , labelled as the PYTA morphome, 2 in some second conjugation verbs such as beure ‘to drink’ (e.g., 3 sg

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Honeybone, Patrick 2008. Lenition, weakening and consonantal strength: Tracing concepts through the history of phonology. In: de Carvalho, Joaquim Brandão — Tobias Scheer — Philippe Ségéral (eds) Lenition and fortition. Mouton de Gruyter, Berlin & New York

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