Search Results
Απολογητέον: The author defends the conservatism of his edition of Horace against his critics by proving that his reading of the manuscript texts is correct. In his opinion we should believe (πειστέον) the manuscripts, and should follow and explain, rather than modify their texts.
'inspiration littéraire classicisante dans sa démarche. En 1807, François de Neufchâteau entend poursuivre le travail éditorial de 1804 et 1805 en se lançant dans la promotion de ce texte byzantin, dont il n'existe, comme il le dit, que des éditions grecque et latine et
Richard Wagner's edition of the Stabat mater by Palestrina calls for a special attention among the 19th century transcriptions and practice editions of the work, since Franz Liszt declared it to be a masterpiece to be followed by others throughout his life, albeit he knew and appreciated editions with historical aspect, too. Wagner prepared his version of Palestrina's composition in 1848 for his historical concert in Dresden, and it was published on the recommendation of Liszt in 1878 by Christian Friedrich Kahnt. The study summarizes the documents of the genesis of Wagner's work with the background of Palestrina's Stabat mater editions before 1878, and tries to preveal Wagner's concept and musical decisions in the light of the performing practice of the Cappella Sistina of the time, as well as following the main aspects in the review by Franz Xaver Witt published in 1878.
, Pandurang Vaman (ed.) 1961 . The Harshacarita of Bāṇabhaṭṭa, with Exhaustive Notes [Uchchhvāsas I–VIII] . [ 2nd edition ] Delhi : Motilal Banarsidass . Solonin , Kirill 2023 . Dapeng zhanchi: Zangchuan xin jiu mizhou zai Xixia de chuanbo 大鵬展翅: 藏傳新
. ESTERHÁZY , Péter . 2005 . Celestial Harmonies. Transl. Judith Sollosy . New York : Harper Collins Publishers . ESTERHÁZY , Péter . 2009 . Revised edition
( Stevens, Dorstyn, Delfabbro, & King, 2021 ). The Diagnostic and Statistical Manual of Mental Disorders, Fifth Edition (DSM-5) proposed criteria for Internet gaming disorder ( DSM-5 -IGD criteria) in section III to foster research on this dysfunctional
This paper reveals the vicissitudinous history of the Athenogenes-papyrus and its edition by Eugène Revillout and other scholars. By reconstructing the sequence of events between 1888 and 1893 one can get a convincing explanation of disturbing features in the frames containing the papyrus fragments. Slight misallocations and dislocations due to the rushed final fixing had far reaching consequences in later editions of the famous Hyperides text until now. One of the most important new readings of the Athenogenes-speech partly due to the investigation of the first editions is given in the Appendix (Hyp. Ath . col. XVI. line 1).
The concept of the historisch-kritische Gesamtausgabe series of the 1950s (the New Bach, Mozart, Haydn, etc., editions) is rightly questioned today. Not least because for the sake of making an impeccable text of a scholarly edition a certain kind of selfdefensive attitude of editors had priority over the interest of the intelligent user: the text should be eternally valid, the editor would not take the responsibility to answer justifiable questions of the performer. In case of 20th-century composers the source chain of a work from sketches to the printed and revised version(s) is not only much better documented than in the music of Baroque and Classical masters, but some composers (Schoenberg, etc.) explained their special use of performance instructions. In this respect Bartók is an intriguing and well-studied case, however, performers are often mislead by contradictory information or supposed authentic traditions. The forthcoming complete critical edition will offer two texts in each volume — not within the Critical Commentaries but before the score On Bartók’s Notation (partly standard, partly genre-oriented basic information), and Editorial Notes for the Performer (on each composition in the volume).
Politics and literature: A case study
Kosztolányi’s reception during the communism
As a contribution to a larger theoretical discussion of the relationships between literature and political context, this paper offers an examination of the reception of the works of Hungarian poet and novelist Dezső Kosztolányi during the communist period, drawing particular emphasis to the origins of several misunderstandings. Over the past several decades Hungarian Marxist literary theorists, influenced by the philosophical and aesthetical heritage of György Lukács, have thought of artists as having a revolutionary role in society and literature as having an important role as a means through which to educate the nation. Kosztolányi’s concept of art for art’s sake did not minister to this ideological and political system, and as a consequence his reception and reputation suffered. Not only were critical evaluations of his writings, both literary and theoretical, distorted and crafted with the intention of creating a misleading image of the author, but the editions of his texts were also censored. It is not mere accident or circumstance that the critical edition series of his works could not be edited and research groups and projects dealing with an edition of his life’s work were not financed under the communist regime. Hungarian intellectuals have yet to raise the question as to why open discussion of the beginning of the 20th century (when events took place that continue to exert an influence on conceptions of culture today) remains a taboo. Why are there no (or few) critical editions and anthologies or studies dealing with the period? Twenty years have passed since the political transition and the situation remains essentially the same. Hungarian philologists who deal with Kosztolányi’s oeuvre must address these questions and challenge the Marxist axioms and stereotypes if they hope to further the development of Kosztolányi’s reception. Relying on postmodern theories is not sufficient if there is little fundamental research.
oral traditions because of elementary school textbooks, children's literature ( D omokos 2018a , 2018b ), and cheap, popular editions published in large quantities in the early 20th century. Familiarity with László Arany's folktales was prevalent in
