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Abstract

Slovakia is heir of everything, what left its tracks on the territory. It is heir of art, which has not only Slavic-Slovak, but also German–Austrian–Hungarian origins, with Franco-Roman touch. It was suppressed or underlined by catholic–protestant–Jewish–orthodox (but also free-thinking and free-mason) traditions. It is out of doubt that Slovaks do not exist from the world's beginning, but that they have become Slovaks and everything, that had a significant value for them, could be national. A crucial role played the national identity; but in most cases, this cannot be traced back. Therefore, it has only a limited role within history of art. The study speak for overcoming the very national-defensive character of the historiographies and focusing on more interesting matters.

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