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National cultures and European identity
The process of Engrenage among European Commission civil servants
. Building Europe. The Cultural Politics of European Integration 2000 Tóth, E. (2007): The Reflection of National Cultures in
to Hofstede, national culture is a culture that exists within a country, and the importance of culture in economics and development is significant ( Kristjánsdóttir et al. 2017 ). Big Five personality traits theory represents personality at the
“National Cultures of the Urals - History, Characteristics and Perspectives of the Relations”
Ethnological Conference, Yekaterinburg, May 23-25, 2005
Führungskräften in den Ministerialverwaltungen von Brandenburg und Sachsen Dastmalchian, A. Lee, S. Ng, I. (2000): The interplay between organizational and national cultures: a comparison
fertile ground for shaping the political and ideological narratives based on nation. The public use of some concepts, such as nation, national culture, traditions and folklore as well as their instrumentalization within a radio discourse in the first
, 1988 ). This was accompanied by a greater cultivation of Hungarian customs, the national language, Hungarian society and economy, national culture and education ( Jeismann, 1989 ; Karady-Mitter, 1990 , Reden-Dohna & Melville, 1988 ), which presumably
This paper is an attempt to compile a summary of the results of research on the dispersed ethnic group of the Croatian minority in Burgenland. Until now, only a few national and regional descriptions have been made. The need for compiling a summary arises from the frequency of segmented considerations on national culture. However, the integration of Central European culture into the EU requires a holistic approach.
Summary
The article is devoted to the investigation of an aspect of the newest developments in Belarusian art and literature. The “inter-life”, the “life on the side” as a special way of orientation of Belarusian people is under scrutiny in a number of cultural chronotopes. In this context it is the comprehension of a Belarusian idea of characters in both literary and real “universes” that makes them “strangers”, a minority in Belarusian cultural zone. The author makes an attempt at a panoramic review of poetry and prose, and she tries to discuss the modern literary works which are most significant to the understanding of paradoxes of a national culture. In this work a number of images or topoi extremely important for modern Belarusian literature are outlined, and some intrinsic features of the collective images of various literary generations are described.
In my paper I shall investigate the major changes in the concept of the national theatre from the early debates on the Hamburg Theatre in 1767 until the 2005 establishment of the National Theatre of Scotland. The starting assumption is that while in the eighteenth and nineteenth centuries the notion of the national theatre was regarded as a means for the integration of a nation or even an empire in most Western-European countries, in Eastern-Europe, the debates on and later the realization of the national theatres took place within the context of and against oppressive imperiums. In Eastern Europe, the realization of National Theatre was utilised for representing a unified nation in a virtual way, and its role was to maintain national identity and national culture. In present day Scotland, however, the notion of the national theatre has changed again as the National Theatre is used to represent a diverse and multicultural Scotland.
Abstract
Medical journals are products of national medical cultures, which influence the organization of medical research and the readiness to employ different research methodologies. A content analysis was undertaken to ascertain the characteristics of scientific papers in nine Russian and three American medical journals published in 1992. The American medical journals were thriving, both in appearance, and with research contributions coming from a decentralized national system of research institutions and also from European and other international research centers. Much of American medical research is “big science” based on collaborative efforts of researchers at a number of institutions. Russian medical journals, in contrast, were more parochial in content, reporting mainly local research, with several primary journals serving as outlets for endeavors of sponsoring institutes. While Russian medical culture did appear to discourage usage of classical random experimental designs, the choice of research methodologies proved to be influenced more by medical specialization than by national culture.
