Authors:Orsolya Szalárdy, Alexandra Bendixen, Dénes Tóth, Susan L. Denham, and István Winkler
In our surrounding acoustic world sounds are produced by different sources and interfere with each other before arriving to the ears. A key function of the auditory system is to provide consistent and robust descriptions of the coherent sound groupings and sequences (auditory objects), which likely correspond to the various sound sources in the environment. This function has been termed auditory stream segregation. In the current study we tested the effects of separation in the frequency of amplitude modulation on the segregation of concurrent sound sequences in the auditory stream–segregation paradigm (van Noorden 1975). The aim of the study was to assess 1) whether differential amplitude modulation would help in separating concurrent sound sequences and 2) whether this cue would interact with previously studied static cues (carrier frequency and location difference) in segregating concurrent streams of sound. We found that amplitude modulation difference is utilized as a primary cue for the stream segregation and it interacts with other primary cues such as frequency and location difference.
Authors:Alexandra Bendixen, Tamás M. Bőhm, Orsolya Szalárdy, Robert Mill, Susan L. Denham, and István Winkler
Sound sources often emit trains of discrete sounds, such as a series of footsteps. Previously, two different principles have been suggested for how the human auditory system binds discrete sounds together into perceptual units. The feature similarity principle is based on linking sounds with similar characteristics over time. The predictability principle is based on linking sounds that follow each other in a predictable manner. The present study compared the effects of these two principles. Participants were presented with tone sequences and instructed to continuously indicate whether they perceived a single coherent sequence or two concurrent streams of sound. We investigated the influence of separate manipulations of similarity and predictability on these perceptual reports. Both grouping principles affected perception of the tone sequences, albeit with different characteristics. In particular, results suggest that whereas predictability is only analyzed for the currently perceived sound organization, feature similarity is also analyzed for alternative groupings of sound. Moreover, changing similarity or predictability within an ongoing sound sequence led to markedly different dynamic effects. Taken together, these results provide evidence for different roles of similarity and predictability in auditory scene analysis, suggesting that forming auditory stream representations and competition between alternatives rely on partly different processes.
Authors:Tamás M. Bőhm, Lidia Shestopalova, Alexandra Bendixen, Andreas G. Andreou, Julius Georgiou, Guillame Garreau, Philippe Pouliquen, Andrew Cassidy, Susan L. Denham, and István Winkler
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