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principles at all level of the composition: from the construction of thematic units (motives and accompaniments) to the structure of large sections (such as the exposition), to the whole movement and finally to the sonata cycle. Indeed, a composition in

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beginning to tonality by the end (p. 106) and how Dohnányi imprints a sonata-cycle design onto the continuous variation form (p. 109). Dohnányi's Violin Concerto no. 2, op. 43, written for Frances Magnes (Shapiro), was the work which was supposed to allow

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, implies a conjunction of contrasting dance movements but is a bit confusing. In its concept, it is a sonata cycle – the first movement (Dance) is in the sonata form, the second movement (Humoresque) 10 is a

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